Showing posts with label Dylan Thomas. Show all posts
Showing posts with label Dylan Thomas. Show all posts

Saturday, 13 September 2014

The Two Cousins Episode 9: Hector and Ronnie


 

 

 

The Two Cousins

Episode 9: Hector and Ronnie

Iain Smith

We left Hector MacIver in Episode 7 resuming his teaching career in 1945. One of his students of that era recalls him:

 “Hector MacIver became one of the outstanding teachers of English in Scotland in the two decades immediately after the war. This may sound like a very large claim, but its truth can be supported in three ways: by the achievement of his best pupils; by the intellectual stimulus and pleasure he gave to hundreds of boys who had no pretensions as English specialists; and by the way in which through his own example and enthusiasm he taught a large number of young English masters their job and encouraged them to go on to posts of higher responsibility.”

Another school student was the distinguished writer and critic Karl Miller (and the editor of the posthumous 1970 book tribute to MacIver). Miller (today celebrated as the most distinguished living alumnus of the Royal High School of Edinburgh) writes in 1970 about Hector that

 “ [In 1948], when I was his pupil at the Royal High School of Edinburgh, Hector used to tell stories about the faculty of second sight, which seemed to be an important matter, still, in the Hebrides where he grew up……….To Lowland school-children, Hector came as revelation: an exile from the Western Isles, from the ‘lone shieling of the misty island’, he had qualities of dignity, elegance, eloquence and fantasy that seemed not only exotic but literally portentous”.

Hector, like many of his literary friends, enjoyed the good life. Miller writes: “he may once have been in the habit of sending back his lobster to the counter in the Café Royal if he did not think it came from Lewis – nevertheless the world was his oyster.”  (This is a most unlikely, if fun, story.)

The Café Royal remains largely unchanged to this day, its rooms haunted by the ghosts of Compton Mackenzie, Louis MacNeice, Dylan Thomas – and Hector MacIver. It was there, according to Karl Miller, that Hector MacIver one night assaulted the (now forgotten, but then Paxman-like) broadcaster Gilbert Harding for having called him “a bloody highlander”.

Apart from his full-time job, Hector in the 1950s was himself active in broadcasting.

            “… he still kept up a stream of radio broadcasts  and plays, and articles, in English and in Gaelic. ……

            “He also reviewed books on radio….. At this time too, his friend Louis MacNeice was broadcasting programmes of reading from Spenser’s ‘Faerie Queen’ and Hector used to go down to London to take part in these. He also featured in such radio dramas by Louis as The Dark Tower. At this time also he was taking part in radio plays and programmes by Neil Gunn and Robert Kemp.”

Hector maintained his friendship with Dylan Thomas, as his wife Mary recorded; and she paints a vivid pen-portrait of Thomas:

“I somehow found it difficult to think of him as grown-up, he looked so like a cherubic baby with his pop eyes and fat cheeks, loose lips and curly hair. He always seemed merry; but somehow I felt that at bottom he was rather a sad person, rather alone, always aware of the uncertainty and tragedy of life and the evanescence of time.”

And, of course, in almost no time at all, the evanescent Thomas was dead, not yet forty years old. This year the centenary of his birth is being remembered.

Comparatively late in life (in the 1950s), Hector MacIver married. 

Mary’s introduction to her mother-in-law was dramatic:  “She shook her head, sadly, and said ‘Ah, Hector was ruined by the Navy! The drink you know.’” Hector’s mother had been a pupil-teacher before, later in life, having upgraded her teaching qualifications and returned to teaching when her husband went bankrupt. As with many Lewis teachers of her generation, and indeed of later generations, she clearly could be blunt and open with negative assessments of the young. Whether she took pride in the more positive sides of her son’s achievement (Head of English in Scotland’s most prestigious state school; critic; broadcaster; writer) is not recorded.

Mary and Hector shared many literary and cultural interests, according to one of her ex-students:-

“The most inspirational teacher I had was Mary MacIver. We hit it off immediately. Mrs MacIver turned out to be probably the most formative person in my life. She had a profound effect on me.

She was married to Hector MacIver, who taught English at the Royal High School. I already knew about Hector MacIver because I had read critical articles he wrote in the Scotsman and other newspapers about all sorts of things, particularly poetry. Mary and Hector lived in the village of Temple, next door to the painter William Gillies and knew all sorts of poets, musicians, actors and painters. Over the coming years they took me under their wing and introduced me to people like the poet Robert Garioch, the painter Robin Philipson and the weaver Sax Shaw.”

Mary and Hector’s cultural interests were however not narrowly intellectual:

“Ronnie Corbett, a previous pupil of Hector, also became well known as a comedian. When we were first married I had to listen to every ‘Crackerjack’ programme with Hector, for he was so interested in following the beginning of Ronnie’s successful career.”

In 1962, Hector spent a term on a secondment to Balliol in the University of Oxford. He records some of that experience:-

            “I attended lectures by Professor Ayer, very impressive on ‘Facts and Propositions’; Professor Davies on ‘Sir Gawain and the Green Knight’, Professor Trevor Roper on the Puritan Revolution; Tolkien on the Study of Old English Poetry; Mr Wordsworth on the Scottish Chaucerians; AJP Taylor on post-War History.”

In 1965, Hector took ill. Unknown to him, he had cancer of the liver. His cat was also ill, as his wife records: “When Hector was dying, Peader was terminally ill also, and Hector said to the tiger-striped Peader as she lay on the quilt on Hector’s bed - Ah, little one, we’re both on the way out.”

On 30 April 1966, Hector MacIver died. He was 55 years old.

Postscript: There our story of these odd, but talented, Macivers ends. It began when two little boys, a long time ago, speculated as to why Robert and Hector were so gifted, yet so different - and united apparently only by surname. And when a Lewis mother said to her two boys:  “It is obvious why they were talented. They were first cousins: both Macivers of the stock of Maciver’s Garage in Bayhead.” As always, a Lewis mother has the last word.

(Concluded)

Iain Smith

Sunday, 6 July 2014

The Two Cousins: Episode 7


Episode 7: Hector goes to War

Iain Smith

In Episode 5, we left Hector MacIver teaching in Edinburgh and pursuing various literary interests.

One of MacIver’s school students, Robert Taubman, paints a vivid picture of MacIver as a very young teacher at the Royal High School in Edinburgh in 1934.

From Taubman’s description of the MacIver writings we get an impression why some of these caused Hector’s reputation in his native island to become a mixed one:-

“He wrote stories (for little magazines that are now untraceable) that were as close to the life of the Western Isles as he could go. It was the life of a pre-industrial imaginative people……… He had a certain notoriety at home as an enemy of the Kirk; but he was susceptible to the splendours and the spleen of the Gaelic pulpit and the language of damnation, and when a word like ‘fornication’ appeared in his stories it didn’t look so much stark as theological.”

Quite; but the view in Hector’s native village in the 1930s may have been just a touch less generous.

Certainly Hector was vocal in his opposition to the churches of his native island. In one piece he wrote:-

 “As interpreted by the Presbyterian ministers of the Hebrides, life is identified with ascetism and repression. The crucifixion of the body is the monotonous theme of all their discourses. Drinking, dancing, music and recreation are officially condemned. But these gentlemen in their fanatical and destructive campaign forget that such taboos cannot be imposed on country people, whose nature is to set more store on human values than on ascetic ones. And the more their human wants are denied, the more they tend to excess.”

World War II came; and MacIver joined the Navy. He writes modestly but eloquently about what was a hazardous occupation – an officer on board a destroyer on convoy duties in the North Atlantic.

“…in the midst of all this rigorous routine there were moments of pleasure and excitement-quite apart from the occasions when we were attacked- for attack and counter-attack became also part of the routine. A destroyer, by the very traits of her character, never fails to provide excitement; her movements are unpredictable, her vitality inexhaustible. In the very smoothest of seas, a shiver of life from her engine rooms runs through her whole fabric; she resembles the pulsating body of a greyhound preparing for the chase; and if she decides to turn in her tracks, as she often does, she exercises her narrow circle with the neatness of compass and pencil upon paper.

Anyway, for a whole summer, while we escorted convoys up and down the coast with our ship keeping guard, marshalling the long column of merchant ships and rounding up vagrants, I watched her with interest. I already felt that if, some day, I went back to my profession, I should often be tempted to digress from the strict theme of literature to talk for a moment about destroyers.”

 

His friend Neil Gunn writes to him “I wrote a book on the herring industry of a century ago, ‘the Silver Darlings’, and it’s to be filmed in the north later this year’.  As does Chris Grieve (Hugh MacDiarmid):-

“Sorry my reply is belated. The trouble is that working as an engineer on munitions, I have excessively long hours and practically no time to myself at all….. However hard physical work (hitherto unknown to me) has suited me well enough in every other respect, physically, psychologically and pecuniarily (sic) - and I venture to hope that you have a like tale to tell…”

 

One of Hector’s naval commanders was Angus, the Marquis of Graham, later the Duke of Montrose and famous (or infamous) in the 1960s in Ian Smith’s Rhodesian government. Graham had learned Gaelic at Balliol (where else indeed would a Scottish aristocrat choose to learn Gaelic?); and went to Shawbost on leave with MacIver. There he not only conversed with the locals in Gaelic: he also addressed an assembly of Nicolson Institute pupils in Gaelic.

As in other places in his autobiographical writing, MacIver’s belief in the supernatural comes through. He writes about an American officer with whom he had become friendly:-

“One day, when I was at sea, I turned to see him coming along the deck towards me. I was astounded for I knew his presence was an impossibility. He was smiling as if eager to share a good joke with me, but as he came closer, he suddenly vanished. Later, I found that his ship had been sunk, just at that time, with the loss of all hands.”

Despite being torpedoed twice (and on one of these occasions having a fellow-officer repel with an oar his efforts to climb aboard a half-filled lifeboat -  in a sea where exposure to low temperatures gave one a life expectancy measured in minutes), MacIver survived the war. He goes on holiday to Lewis after being demobbed and heckles Iain Macleod (later Chancellor of the Exchequer) who was the – unsuccessful – Conservative candidate for the Western Isles in the 1945 General Election.

 

At this point, having resumed his job as an English teacher, MacIver’s (often sketchy) autobiographical essay comes to an end; but his story was subsequently picked up by his wife.

Mary MacIver provides a fascinating explanation why so many people were attracted to Hector:-

 “I’ve always felt I missed a great deal, losing my Irish background and Hector embodied it for me. I think this was true for other people also, no matter how distinguished they were. People like Hugh McDiarmid, Louis MacNeice and Dylan Thomas saw in Hector not just a fascinating personality in his own right, and a wonderful raconteur, but also the representative of a world they would like to have grown up in  or, in Chris’s [Hugh McDiarmid’s] case, to have had much more personal contact with.”

In the cases of the first two, this is a plausible view; with Dylan Thomas, whose attitude to things Welsh was notoriously ambivalent, it seems more dubious.

Dylan Thomas [whose birth centenary is 2014] wrote to Hector with typical Thomas prose: “I do so hate it here in this toadish valley among slow rabbits and sly cows. Oxford is near, but full of young men. Our pub is cold and wild with dominoes.” Why Thomas disliked rabbits that were slow or cows that were sly or (for that matter) men that were young is not explained.

A later letter from the Thomas village of Laugharne does however explain one dislike “I am writing this with a vile Biro junior which cuts through paper and table-top, spits greased, mock-ink at shirt, eye and wall, and whose writing fades, sometimes conveniently, almost at once.”  The invention of László Bíró was indeed then fairly undependable.

This, as so often with Dylan Thomas, is the writing of a man at ease with words- although sadly not with himself.

 

(to be continued)

 

Iain Smith was formerly Dean of Education in the University of Strathclyde. He welcomes feedback at i.r.m.smith@strath.ac.uk.